And I See

This mix was a long time in the making. (And I wrote this entry once before and it got deleted so it's been an extra long time.)

It all started in the asscrack of winter, when you wake up in the cold/dark and spend a total of 15 minutes out side all day, thanks to the miracle that is the Chicago Pedway system. Days and commutes seem to blend into one another, stepping over the same puddles, running down into the same underground station, crowding onto the same train car, emerging at Washington to the smell of freshly fried donuts (never indulge), trek through the basement of a fancy shopping mall, back into the cold underground, then sucked into the belly of Marshal Fields (refuse to call it Macy's) where you see the same three homeless people every day (wonder if they are friends), more hustle and bustle and endless escalators until you reach the elevator that whooshes you up to the 24th floor most unsettlingly where it's time for a day of work. The ride home brings the same, in reverse, plus hunger, plus the shadow you cast on the apartment buildings when you're so close to home--there's three, so you're always one step behind, in front of, and beside yourself. 

And then one day there's this.

And it's spring. And you can cut one stop out of your commute to breathe the not-so-fresh Chicago air as you saunter through the main skyscraper-lined arteries of the city, past Yankee Hotel Foxtrot towers, compare the clock on the Tribune Tower to the clock above the 7-11 (they're both wrong), curiously fantasize about exploring the abandoned Motor Club Building up for foreclosure auction, then back into concrete playground...

I guess my point is, we all do a lot of hustling around the world with our ipods/phones/pads, and not a lot of pure, unadulterated Looking and Seeing. These are all songs about those two concepts.

(Not that I don't do my fair share of ipodding, but I do think it's important to stop and take a look 'round every once in a while. I should do more of this.)

Standard 8track disclaimer: Due to weird copyrighty things, you can only listen to the mix in its intended order once. So basically, if you're going to listen to it, you should try to sit down and listen to it all the way through or you won't get the full experience.

Running Time: Aprox. 42 min.
Track List:
01. Buffalo Springfield - For What It's Worth
02. Iron & Wine - Walking Far From Home*
03. Bright Eyes - A Song to Pass the Time
04. Simon & Garfunkel - The 59th Street Bridge Song (Feelin' Groovy) (Live)
05. Animal Collective - Summertime Clothes
06. Atlas Sound - Walkabout (feat. Noah Lennox)
07. High Places - A Field Guide
08. Ani Difranco- Cradle and All (Live)
09. Bob Dylan - A Hard Rain's A-Gonna Fall (Live at the Gaslight in 1962)*
10. The Books - Free Translator*

*Indicates Track Picks

It's a bit unusual to have three track picks on such a short mix, but I swear those are all crucial songs.  Had to start with some Buffalo Springfield, the ultimate look + see song, before I got into the Iron & Wine track that inspired the entire mix. Sorry to include the Bright Eyes, but before Conor Oberst starts whining about his girl problems, he actually gives a pretty stirring narration. 

My mom used to sing me "The 59th Street Bridge Song" way before I knew what "feeling groovy" meant. Had to have some feel good walkabout songs before I moved into Ani's gritty retelling of NYC. This naturally leads us to Dylan's post-apocalyptic hellscape that is "A Hard Rain" (my favorite version), and finally to the Books tune, with its hauntingly ear-teasing hook that inspired the name of this mix. The lyrics sound pretty random, but apparently it's a much translated folk song.

MLE walking far from home...

The inside of my eyelids look the same...

...no matter where my feet are.

Talking Union (Which Side Are You On?)

So I'm not sure about you, but I've been following the Wisconsin protests pretty closely for weeks now. I was disgusted at the shameless, spineless, likely illegal maneuvers used to pass the union stripping bill in that state. I am disgusted and fearful over the anti-union measures popping up all over, particularly Ohio, Indiana, and Michigan, where a recent bill made it legal for the state governor to unseat elected local officials. Yes, the governor has the authority to negate democracy and break union contracts whenever he feels there is an "emergency." In America.

This is not to say that unions are unilaterally "good" organizations. They serve to protect the jobs and best interests of their members, even on occasions when it goes against cost efficiency. I am particularly weary of the tenure program for public school teachers, along with the "last hired, first hired" philosophy. I will admit that I am far from an authority on the topic, but it's obvious that our public sector needs some work.

BUT to try and strip their bargaining rights is not only nonsensical, it is probably the most transparent right wing ruse perpetrated in the last several years. Long story short: Citizens United Supreme Court ruling means corporations ("people") can spend unlimited money in elections. The 2010 midterms (the most expensive midterms in the history of midterms) saw 7 of the top 10 donors as right wing "companies". The other three? Unions. So what's the best way to take away liberal "free speech"?

Anyway, judging from the fact that this weekends protests in Madison were the largest to date, it is certain that this is far from over. Teachers aren't to blame for your shitty pension. Sanitation workers didn't take your job. EMTs did not drive our economy into the ground. So let's put a little blame where blame is due.

Here is a collection of songs dealing with unions and the history of workers rights in America. Listen and see how far we've come, and let's keep fighting for what we've got.

Running Time: Aprox. 57 minutes
Track Pick: Ani Difranco - Which Side Are You On?
Note: Mentally replace Green Day's "Working Class Hero" with the Lennon version.


Cast of Characters
This is by no means a comprehensive history of the American labor movement. These are just a few interestingly melodic players.
Joe Hill

Joe Hill was a Swedish American activist and song-writer who was executed in 1915 under dubious pretenses. One of his most famous songs, "The Preacher and the Slave," is featured into the mix under the name "Pie in the Sky" as covered by Utah Philips. It's one of my favorites simply because of it's brave and concise argument against the religious pleads that the poor simply shut up and wait for their reward in the afterlife. At least the mainstream right seems to have moved beyond this argument. Anyway, the song "Union Maid," sung by Pete Seeger and the Almanac Singers is highly reminiscent of another one of Joe's tunes, "Rebel Girl." For the turn of the century, this is really explosive stuff. Joe Hill, singer-songwriter, labor hero, American badass.

Pete Seeger

Pete Seeger was another American Badass born four years after the execution of Joe Hill. As a frontline labor songwriter-activist, Seegar co-founded The Almanac Singers in 1941 and they went on to record several songs on this mix, including "Talking Union" and "Which Side Are You On?". He was blacklisted for his political activities in the 1950's (see above picture of him testifying before Congress during the McCarthy era) and continued to voice his believes about civil rights, the world's war, and the environment through action and song. His words are well-represented on this mix because, well, they're awesome.


While most of his songs deal with fundamental worker's rights such as safety, 8-hour work days, and weekends, his basic message of worker dignity and a living wage still apply today. Yes, this is most certainly a middle class movement, and the differences between that era and his cannot be ignored. However, the struggles of unions past got us the rights we take for granted today, and I believe we must not turn our backs on this sacrifices of those brave men and women. Take special note of Ani Difranco's adaptation of "Which Side Are You On?". She did an excellent job of bringing that song into the 21st century with a brand new message of hope.


A side note about the songs that mention a PAC: PAC definitely stands for political action committee, though it's obvious that that phrase meant something entirely different back then. While PACs today can take in millions of anonymous dollars to spend as they see fit (Thanks, Supreme Court), they seemed to have started as a way for the MANY to stand up to the FEW (all we need is a dollar from you and a dollar from me). I included those songs because they speak to the fundamental purpose of democracy, which is 'one person, one vote.' Click here to watch a quick video about how this ideal is being distorted by so-called "corporate citizenship," and to see what you can do to help.


Utah Phillips

Utah Phillips must also share the title of American Badass. A folk hero, labor sympathizer, and self-declared "anarchist," Phillips filled his 73 years with music, storytelling, and teaching the ways of the world to the likes of Ani Difranco, who recorded two albums with him. I admire his passion and his wisdom, and I hope that his words will never be forgotten.

Solidarity Forever.

Top Ten (12) Dylan Songs

As a follow-up to my last post, I thought I'd compile a list of my top ten favorite Dylan songs by the man himself. I actually spent a couple weeks thinking about it, and there were some late additions...bottom line: I couldn't do ten. I tried. But it's just not my fault that he wrote so many damn songs. Here's my top 12, in order:

Running Time: Aprox. 58 min

Let's take this step by step.

12) Rainy Day Women #12 & 35
"But I would not feel so all alone / Everybody must get stoned."
The main force behind this song is humor, so of course I dig it. The lyrics, sarcastic trumpets, and of course background singers lend the entire piece a tongue-in-cheek sensibility that's just perfect. I remember hearing this song one morning before high school on the radio as my brother dropped me off. "It has a double meaning, you see..." he said. :-) 
11) It Ain't Me Babe

"Go lightly from the ledge, babe / Go lightly on the ground. / I'm not the one you want, babe / I will only let you down."

This song speaks to me because of it's raw, easy honesty. We all know that Dylan was/is likely a huge ass (feel free to draw Kanye comparisons here), but at least this song lays out the myriad reasons why one should not pursue his affections. Props for effort. 


10) Mr. Tambourine Man 
"Then take me disappearin' through the smoke rings of my mind / Down the foggy ruins of time, far past the frozen leaves / The haunted, frightened trees, out to the windy beach / Far from the twisted reach of crazy sorrow / ...  / Let me forget about today until tomorrow"
This song is a favorite of my father's, and I see why. Hunter Thompson appeared to be a big fan, too. It really appeals to the free spirited-ness of the sixties, but what I admire it most for is it's luscious imagery, immensely impressive rhyme scheme, and funky harmonica jams scattered throughout. Obviously funky mouth harp jams are kind of Dylan's calling card, but I was listening to the live version today from the 1966 concert at Royal Albert Hall, and he just fucking wails on it in the most incredible way. He clearly had a lot of fun to this song, and I'm willing to bet that thousands of others did, too.
09) Visions of Johanna
"Louise, she's all right, she's just near / She's delicate and seems like the mirror / But she just makes it all too concise and too clear / That Johanna's not here / The ghost of 'lectricity howls in the bones of her face / Where these visions of Johanna have now taken my place"
This is a beautiful tune about missing the one you're not with and searching in vain for a replacement, an unfortunately pale comparison. I used the Royal Albert version of this song because I think the bare bones acoustic sound better captures the loneliness of the words. Of course Dylan has to get his lyrical rocks off...
"See the primitive wallflower freeze / When the jelly-faced women all sneeze / Hear the one with the mustache say, 'Jeeze / I can’t find my knees'"
But oh! the poetry...
"Inside the museums, Infinity goes up on trial / Voices echo this is what salvation must be like after a while / But Mona Lisa musta had the highway blues / You can tell by the way she smiles"
Transplendent. 
 08) Maggie's Farm
"Well, I try my best / To be just like I am / But everybody wants you / To be just like them"
This is a great jam that encapsulates Dylan's shift from acoustic to electric. Controversial at the time, but who can argue with results?

07) Boots of Spanish Leather

"Oh, but if I had the stars from the darkest night / And the diamonds from the deepest ocean / I’d forsake them all for your sweet kiss / For that’s all I’m wishin’ to be ownin'"
This is a recent addition to my Dylan favs. It so beautifully and simply describes love and longing, and the pain of watching a loved one sail away without you. After reading a book this summer by Suze Rotolo, Dylan's main squeeze in the early 60's, the song takes on a whole new meaning. It's a reminder that, despite a person's mistakes and hurtful behavior, there can still be love there, somewhere.
06) Subterranean Homesick Blues
"Keep a clean nose / Watch the plain clothes / You don’t need a weatherman / To know which way the wind blows" 
Another classic 'lectric tune with stellar wordplay. The real music video is awesome (cameo by Allen Ginsberg = clutch). Too bad the closest I can find on YouTube is this.
05) One Too Many Mornings
"You’re right from your side / I’m right from mine / We’re both just one too many mornings / An’ a thousand miles behind"
Yet another recent addition, and high up, too! I only discovered the acoustic version as of late, which brings a whole new level of peaceful resignation to the whole song. It's definitely a good wake-up song, and I often listen to it on my way to work.

04) Like a Rolling Stone
"When you got nothing, you got nothing to lose / You’re invisible now, you got no secrets to conceal"
Everyone knows how classic this song is. There's some guesses that it's written about Edie Segwick of Factory Girl fame, but I've definitely heard the opinion that it was Bob speaking to himself, coming to grips with the loneliness of fame and toying with the idea of his possible downfall. Either way, a completely wonderful jam all around.

03) With God On Our Side
"Oh the history books tell it / They tell it so well / The cavalries charged / The Indians fell / The cavalries charged / The Indians died / Oh the country was young / With God on its side"
This is my favorite "protest" song of Dylan's. At such a young age, he perfectly vocalized the hypocrisies of history in such a simple, moving way. It's the same logical questioning of the status quo that I admire so much in a lot of Ani Difranco's work. Dylan wrote many other wonderful politically-themed tunes before walking away from the "protest" moniker, but this one will always hold a special meaning for me.
02) Talking World War III Blues
"Well, now time passed and now it seems / Everybody’s having them dreams / Everybody sees themselves / Walkin’ around with no one else"
This is truly a stand-out song in so many ways. The story-telling, the imagery, the earnestness, the humor...yet another snap-shot of the post-nuclear mindset. Why have we lost this fear? Born into a world where nuclear weapons are just a reality is in itself surreal, but the fact that we walk around as if the threat has subsided is also utter nonsense. I like that in this song, Dylan describes the isolating power of fear, but also the redemption found in simple human contact, in humanity itself. Long live King Dylan!


"'Half of the people can be part right all of the time / Some of the people can be all right part of the time / But all of the people can’t be all right all of the time' / I think Abraham Lincoln said that / 'I’ll let you be in my dreams if I can be in yours' / I said that"

01) Don't Think Twice
"I ain’t sayin’ you treated me unkind / You could have done better but I don’t mind / You just kinda wasted my precious time / But don’t think twice, it’s all right"
I must admit that this song comes in at the top mainly because of sentimental reasons. It was the first Dylan song that really struck me, probably around age 16 or so? Yeah, that sounds about right. Anyway, the hauntingly simple, soul-plucking finger picking combined with the utter lack of anger in his voice throughout is just something I've always found beautiful and soothing. Truly a masterpiece, in my humble opinion.

Well there you have it, a list that's been weeks/months/years in the making. And who's to say it won't change? There's plenty of time. 

Sing it, Bob.

These are Songs Bob Wrote

This mix has been a long time coming. A lot of people I know get all up in arms about Bob Dylan; they either love him or hate him. Regardless of the man's vocal talents or personality flaws, I've gotta say I deeply respect his songwriting skills above all. Prolific, prophetic...probably something else that begins with 'P'. Anyway, in that vein, I thought I'd compile a mix of my favorite Dylan covers. I figured this would be a great test of Bobby D's songwriting abilities...how his work fares in the hands of others. I have heard a lot of shitty Dylan covers in my lifetime (and in my iTunes), so I had to sift through and pick out my absolute favs.
DISCLAIMER: many of these songs come from the I'm Not There original soundtrack. This is not my fault. Many of those songs  flat out rock, and it's the best collection of Dylan covers ever assembled by human beings. Fact.

Running Time: Aprox. 1 hr. 34 min. (Don't bitch, it used to be longer!)
Track Pick: Ani Difranco - Most of the Time

I have a huge thing for cover songs in general (though I'm not quite as fanatical as the bloke who does Cover Lay Down), but with these songs in particular, I love to hear how different artists interpret the words and tone of Dylan's compositions. The "Highway 61" cover is definitely the most fun, while "Knockin' on Heaven's Door" adds a new mournful layer to that tune. So beautiful! The Ani cover of course stands out for me 1) for it's clutch use of the banjo and 2) for being 100x better than the original song (featured in High Fidelity). Semi-interesting tidbit: The People's Republic of Gefiltestan is the Oberlin band I credit with launching my entire college destiny.

One additional note: the onelinedrawing cover on the playlist is different than the version I have, which is unfortunately from the iTunes store and is a huge pain in the ass to convert. It still gets the point across, though.

Anyway, I'm not sure if this mix will convert any Dylan haters, but perhaps it's a good conversation starter. :-P

Cate Blanchette: Best Dylan cover incarnate.

50 Ways to Leave Your Lover (vintage-ish 7/6/06)

I made this mix when I was 18. Yes, think back to those emotional days when everything had so much...meaning. It was made for a specific person as part of a bimonthly exchange of music/frustrated desires (in retrospect perhaps this was all a bit one-sided). But, as far as teenage mixes go, I'd say that this one is at least laudable in its concept and execution. So, without further ado, slip into your emo pants and step right into this blast from the past...

Running Time: Aprox 1 hr. 14 min.
Track Pick: Yeah Yeah Yeahs - Bang!
Original Text Accompaniment:

 and would you please explain about the 50 ways...?
01. slip out the back, jack.
02. make a new plan, stan.
03. hop on the bus, gus.
04. drop off the key, lee.
05. son, you must go back to the life.
06. go pack your bags; take up your scythe.
07. this world wasn’t meant for us both.
08. you're embarrassing me.
09. you're embarrassing you.
10. this isn't goodnight, this is goodbye.
11. as a fuck, son, you sucked.
12. my skin tonight is a’blazing, but i don't think you're my type.
13. what i need tonight’s the real thing; i need the real thing tonight.
14. i'm leaving while you turn away.
15. remember when i said ‘i love you’? well, forget it; i take it back.
16. found eighteen reasons i can't pick up on the phone.
17. i've been wonderin' what i'm about.
18. i've been thinkin' about the road.
19. but all this dirty talkin' and all these whores a-drinkin' , all this worried walkin' and all this worried talk and i'm movin' out.
20. when your rooster crows at the break of dawn, look out your window and i'll be gone.
21. we never did too much talkin', anyway.
22. goodbye's too good a word, babe, so i’ll just say fare thee well. 
23. you could have done better, but i don't mind.
24. she told me she worked in the morning and started to laugh. i told her i didn’t, and crawled off to sleep in the bath.
25. this bird has flown.
26. i'm not the one you want, babe. i will only let you down.
27. it ain't me you're lookin' for, babe.
28. you'll be happier when i'm gone.
29. things got weird, and i started growing bob dylan's beard.
30. you'll never touch him again, so get what you can.
31. one more night, the end should be a good one.
32. and as the summer's ending, the cool air will rush your hard heart away.
33. and this is all that's left: the empty bottles, spent cigarettes.
34. so pack a change of clothes, 'cuz it's time to move on.
35. you tell me what you want, and i'll tell you what you get: you get away from me.
36. collected my belongings and i left the jail. well thanks for the time, i needed to think a spell; i had to think awhile.
37. let's just forget everything said, and everything we did.
38. not to be overly dramatic, i just think it's best.
39. you can't miss what you forget.
40. so let's just pretend everything and anything between you and me was never meant.
41. fools leave too soon.
42. well i'm not dead yet, but the regrets are killing me.
43. we might not be fooling around today.
44. at the end of a song so long, say goodbye good.
45. you are a china shop, and i am a bull.
46. you are really good food, and i am full.
47. i don’t want to risk our paths crossing some day, so you walk that way, i’ll walk this way.
48. the world’s got me dizzy again; you’d think after 22 years i’d be used to the spin. and it only feels worse when i stay in one place, so i’m always pacing around or walking away.
49. so i’m up at dawn, putting on my shoes. i just want to make a clean escape. i’m leaving but i don’t know where to.
50. so tell me girl, do i have to say please? or do i have to involve the police?

NOTE ONE: Ok, so the track pick is purely arbitrary. All of these songs are clearly fucking golden.
NOTE TWO: The reason this post is labeled "vintage-ish" is that I have changed one of the tracks from its original form/placement, upgrading to a far superior Dylan cover (Metric FTW). "Don't Think Twice" also happens to be my favorite Dylan song in all its original finger-picked glory. But yeah, enjoy this cover, and dig the original on your own time. Also-- please mentally replace that stupid Alanis cover with the real Fab Four track. Thank you.
NOTE THREE: Grooveshark is stupid. Do the refresh/rescroll thing if you have problems. Also, let me know if one of the tracks is cut off or something and I'll try to replace it. Also holler if you want any of these em-pee-threezies.
NOTE FOUR: I once saw a stripper dance to a techno remix of "50 Ways." Asked her who did it, and she did not know. :-/
NOTE FIVE: Alkaline Trio will always hold a special place in my <3.

Thank you, Paul.